Past work

  • More

Past work

The first project featured is 'New Orleans,' a photo series that emerged in 2018, when I moved to New Orleans from Puerto Rico, after the onslaught of Hurricane Maria. A moment of crisis, however, elucidated many things for me. First, I discovered that home could be far away from my homeland. To live in New Orleans was beautiful because it is an open-hearted city, with a rich culture that people strove to maintain in the face of their own disasters, and it reminded me of home: that is, the Caribbean. It was also the first place where I encountered the Black diaspora, and as an Afro-Caribbean this made a profound impression. I had not been raised there, but I felt welcome, and I believe that complicity was translated in the photographs.

The second project, 'Semana Santa, Oaxaca (2018)', is a series of photographs I took during Holy Week, in Oaxaca, Mexico, where I wanted to document the drama and pageantry of the rituals, while also experimenting with night photography.

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Past work

  • More

The first project featured is 'New Orleans,' a photo series that emerged in 2018, when I moved to New Orleans from Puerto Rico, after the onslaught of Hurricane Maria. A moment of crisis, however, elucidated many things for me. First, I discovered that home could be far away from my homeland. To live in New Orleans was beautiful because it is an open-hearted city, with a rich culture that people strove to maintain in the face of their own disasters, and it reminded me of home: that is, the Caribbean. It was also the first place where I encountered the Black diaspora, and as an Afro-Caribbean this made a profound impression. I had not been raised there, but I felt welcome, and I believe that complicity was translated in the photographs.

The second project, 'Semana Santa, Oaxaca (2018)', is a series of photographs I took during Holy Week, in Oaxaca, Mexico, where I wanted to document the drama and pageantry of the rituals, while also experimenting with night photography.

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