For these launch stories, I had the opportunity to integrate 3D, music and other eye-catching elements to showcase New Course and its teacher, creating a highly anticipated and FOMO-driven clickbait.

For this Instagram story, I was tasked with ensuring simplicity while maintaining engagement with Python’s learning path. I tinkered some AI magic with a retro-modern aesthetic, using a low frame rate approach.

For the launch of Rewind 2024, I collaborated with the product design team to announce the feature and present it in an appealing way. This short motion piece strongly motivated the audience to use the feature and share their progress.

While at Platzi, I had the opportunity to design their YouTube outro, helping improve the visual identity and user experience. This resulted in a retention and engagement increase of over 20%.

I recreated this loop from Apple’s WWDC25 landing page, exploring how variable fonts might have been used in the animation—something After Effects doesn’t support natively.

Animating the ‘WW’ was tricky due to the merged letters. I first tried animating the W's anchor points but eventually opted for traditional path animation for smoother results.

While not a perfect replica, this study captures the original motion’s essence. Shadows on “25” were done with Shadow Studio 3; everything else was animated in After Effects.

I had the opportunity to work on the upcoming Wicked Witches Riddle, animating the witches. Here’s a small sneak peek of that collaborative project.